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Labyrinth of Lies (2014)
A story that exposes the conspiracy of prominent German institutions and
government branches to cover up the crimes of Nazis during World War
II.
Director:Giulio RicciarelliWriters:Elisabeth Bartel (screenplay), Giulio Ricciarelli (screenplay), 2 more credits »Stars:
André Szymanski,
Alexander Fehling,
Friederike Bech
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Storyline
The year is 1958. The war has been over for thirteen years and the
Federal Republic of Germany is not only recovering but even booming. But
where are the Nazis? Who has ever heard of the death camps? It looks as
if everything is for the best in the best of all possible worlds in
this land of milk and honey... At least, until the day journalist Thomas
Gnielka recognizes in the person of a teacher the former commander of
the Auschwitz concentration camp... At least, until Johann Radmann, a
young prosecutor, decides to investigate the case... Nobody knows it yet
but this is the dawn of a new era. Even if the road to awareness will
be long and rocky... Written by
Guy Bellinger
User Reviews
Crime and punishment
Nowadays, the word
Auschwitz has become a synonym for the worst kind of human evil. But
there was a time when, at least in Germany, nobody knew the word, let
alone what happened there. In the years after the war, German society
wanted to forget everything about this terrible period, including the
atrocities committed.
'Im Labyrinth des Schweigens' (In the Labyrinth of Silence) shows how this period came to an end. A journalist presses charges against a former Auschwitz camp commander, who is now a school teacher. A prosecutor starts an investigation, but his efforts are obstructed by all kinds of procedures. It is clear that most Germans don't want to be confronted with the mass murders committed by their fellow compatriots. In one scene, the prosecutor asks his young colleagues what the word Auschwitz means to them. None of them come up with an answer.
The film clearly shows how complex the past was for post-war Germany. Lots of people had been a member of the National Socialist Party, without being a nazi by conviction. Some became a nazi because it was convenient to be part of the ruling power-base. The prosecutor learns that even some people who are very close to him, were on the wrong side of history. Still, he is convinced that the men who committed war crimes should be punished.
This is an interesting story about an unknown period in the German history. Unfortunately, the film maker decided to include a cheesy love story in the script. The prosecutor's love affair is distracting, unnecessary and predictable. Towards the end, there are too many side stories and subplots, and the film starts dragging on. At the same time, there are some very nice creative scenes. I particularly liked the scene without words, when the prosecutor starts interviewing the witnesses from the concentration camps. Small gestures and facial expressions show, better than any dialogue, the horror these people must have gone through.
'Im Labyrinth des Schweigens' (In the Labyrinth of Silence) shows how this period came to an end. A journalist presses charges against a former Auschwitz camp commander, who is now a school teacher. A prosecutor starts an investigation, but his efforts are obstructed by all kinds of procedures. It is clear that most Germans don't want to be confronted with the mass murders committed by their fellow compatriots. In one scene, the prosecutor asks his young colleagues what the word Auschwitz means to them. None of them come up with an answer.
The film clearly shows how complex the past was for post-war Germany. Lots of people had been a member of the National Socialist Party, without being a nazi by conviction. Some became a nazi because it was convenient to be part of the ruling power-base. The prosecutor learns that even some people who are very close to him, were on the wrong side of history. Still, he is convinced that the men who committed war crimes should be punished.
This is an interesting story about an unknown period in the German history. Unfortunately, the film maker decided to include a cheesy love story in the script. The prosecutor's love affair is distracting, unnecessary and predictable. Towards the end, there are too many side stories and subplots, and the film starts dragging on. At the same time, there are some very nice creative scenes. I particularly liked the scene without words, when the prosecutor starts interviewing the witnesses from the concentration camps. Small gestures and facial expressions show, better than any dialogue, the horror these people must have gone through.
